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Poetic song verse : blues-based popular music and poetry / Mike Mattison and Ernest Suarez.

By: Contributor(s): Publisher: Jackson : University Press of Mississippi, 2021Description: 232PContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781496837325
  • 9781496837295
  • 9781496837301
  • 9781496837318
Subject(s): DDC classification:
  • 781.64  23 M444
Contents:
Acknowledgments -- Introduction -- 1: The origins of poetic song verse -- 2: Bob Dylan, Chuck Berry, and the evolution of poetic song verse -- 3: Myth-making, personae, and poetic song verse: The Beatles, the Rolling Stones, and the Doors -- 4: The fantastic: beyond surrealism and psychedelia -- 5: A new era of verse competiton -- Appendix of songs and poems discussed -- Notes -- Works cited and consulted -- Credits -- Index.
Summary: "Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre"-- Provided by publisher.
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كتاب كتاب Central Library المكتبة المركزية 781.64 M444 (Browse shelf(Opens below)) Available قاعة الكتب

Includes bibliographical references and index.

Acknowledgments -- Introduction -- 1: The origins of poetic song verse -- 2: Bob Dylan, Chuck Berry, and the evolution of poetic song verse -- 3: Myth-making, personae, and poetic song verse: The Beatles, the Rolling Stones, and the Doors -- 4: The fantastic: beyond surrealism and psychedelia -- 5: A new era of verse competiton -- Appendix of songs and poems discussed -- Notes -- Works cited and consulted -- Credits -- Index.

"Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre"-- Provided by publisher.

Description based on print version record.