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Dandyism : forming fiction from modernism to the present / Len Gutkin.

بواسطة: السلاسل: Cultural frames, framing cultureالناشر: Charlottesville : University of Virginia Press, 2020الوصف: viii, 269 pages ; 23 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780813943893
  • 0813943892
  • 9780813943909
  • 0813943906
الموضوع: النوع/الشكل: تنسيقات مادية إضافية: Online version:: Dandyismتصنيف ديوي العشري:
  • 820.9/353 23 G984
المحتويات:
Introduction. The dandy in long modernism -- Pt. 1. Macho dandies -- Fine and dandy: Ernest Hemingway's androgynous connoisseurship -- Raymond Chandler's dandified dick -- Pt. 2. Decadent dandies -- William S. Burroughs's modernist genre decadence -- Djuna Barnes's cross-gendered conceits -- Pt. 3. Extremes and end-times -- The psychopath dandy: a survey -- Coda. The dandy and the hipster after the apocalypse.
ملخص: "This work traces the aesthetic of Victorian "dandies" from works such as Oscar Wilde's The Picture of Dorian Gray through the work of later twentieth-century American and British authors, including Ernest Hemingway, Raymond Chandler, William S. Burroughs, and Djuna Barnes, as well as in postmodern thrillers, providing a revisionist history of the relationship between Victorian aesthetics and twentieth-century literature"--
نوع المادة: كتاب
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المقتنيات
نوع المادة المكتبة الحالية رقم الاستدعاء حالة ملاحظات تاريخ الاستحقاق الباركود
كتاب كتاب Central Library المكتبة المركزية 820.9353 G984 (استعراض الرف(يفتح أدناه)) المتاح قاعة الكتب 51717

Includes bibliographical references (pages 241-259) and index.

Introduction. The dandy in long modernism -- Pt. 1. Macho dandies -- Fine and dandy: Ernest Hemingway's androgynous connoisseurship -- Raymond Chandler's dandified dick -- Pt. 2. Decadent dandies -- William S. Burroughs's modernist genre decadence -- Djuna Barnes's cross-gendered conceits -- Pt. 3. Extremes and end-times -- The psychopath dandy: a survey -- Coda. The dandy and the hipster after the apocalypse.

"This work traces the aesthetic of Victorian "dandies" from works such as Oscar Wilde's The Picture of Dorian Gray through the work of later twentieth-century American and British authors, including Ernest Hemingway, Raymond Chandler, William S. Burroughs, and Djuna Barnes, as well as in postmodern thrillers, providing a revisionist history of the relationship between Victorian aesthetics and twentieth-century literature"--