000			03302cam a2200505 i 4500
001			11214
003			MEMOS
005			20240731094733.0
008			190911s2020 enk b 001 0 eng d
010			_a 2019950225
015			_aGBC035762 _2bnb
016	7		_a019737427 _2Uk
020			_a9780198856108 _q(hardcover)
020			_a0198856105 _q(hardcover)
020			_z9780192598127 _q(electronic book)
035			_a(OCoLC)on1114557199
040			_aMEMOS _beng _cYDX _erda _dMEMOS _dUKMGB _dCHVBK _dOCLCO _dOCLCF _dDLC
042			_alccopycat
050	0	0	_aPR591 _b.D39 2020
082	0	4	_a821.809 _223 _bD272
100	1		_aDawson, Clara, _eauthor.
245	1	0	_aVictorian poetry and the culture of evaluation / _cClara Dawson.
250			_aFirst edition.
260			_aNew York, NY : _bOxford University Press, _c2020.
264		1	_a _a _b _c
300			_a238 pages ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
520	8		_aVictorian Poetry and the Culture of Evaluation argues that the dialectic and dynamic relationship between the periodical review and poetry creates a culture of evaluation which shapes Victorian poetic form. The mediation of poetry by the periodical review orients poets towards public readership and reception, heightening their self-consciousness about their audience and generating a poetics of publicness. Using methodologies associated with historical poetics and new formalism, the book examines the dialogues between poets and periodical reviews from the 1830s to the 1860s. It juxtaposes male and female poets and canonical and uncanonical texts. Challenging the critical binaries of fame and celebrity, the culture of evaluation posits a new way of reading Victorian poetry. 0It illuminates poets' engagement with the immediacy and inevitability of writing for the present and for the contemporary media through which poetry was read and disseminated. New patterns of reception were created by mass print culture and both poets and reviewers were preoccupied with reaching the newly constituted mass audience. The changes to the material forms of poetry (e.g. through the periodical or gift-book) and the subjection to the commercial imperatives of the literary marketplace encouraged bold experiment with verse. The book identifies three poetic strategies for articulating the preoccupation with a mass audience and the demands of mass media: voice, style and address. Chapters on voice, style, and address explore the development of poetic form in dialogue with periodical reviews.
648		7	_a1800-1899 _2fast
650		0	_aEnglish poetry _y19th century _xHistory and criticism.
650		0	_aPoets, English.
650		7	_aEnglish poetry. _2fast _0(OCoLC)fst00912278
650		7	_aPoets, English. _2fast _0(OCoLC)fst01067870
650		7	_aEnglisch _2gnd
650		7	_aLyrik _2gnd
650		7	_aRezension _2gnd
650		7	_aZeitschrift _2gnd
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
906			_a2022-8082
942			_2ddc _cBK _n0
999			_c13140 _d13140