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020 _a9781857096088
_q(paperback)
020 _a1857096088
_q(paperback)
020 _a9781857096095
040 _aYDX
_beng
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082 7 4 _a709.945
_223
_bW834
100 1 _aWivel, Matthias,
_d1975-
_eauthor.
245 1 0 _aMichelangelo & Sebastiano /
_cMatthias Wivel ; academic consultants, Paul Joannides and Constanza Barbieri ; with additional contributions by Timothy Verdon, Piers Baker-Bates, Silvia Danesi Squarzina, Minna Moore Ede, Jennifer Sliwka, Allison Goudie.
264 1 _aLondon, England :
_bNational Gallery Company,
_c[2017]
300 _a271 pages :
_billustrations (chiefly color), portraits ;
_c28 cm
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aPublished to accompany the Credit Suisse exhibition Michelangelo & Sebastiano held at the National Gallery in London, March 15 through June 25, 2017.
504 _aIncludes bibliographical references (238-266) and index.
505 0 0 _tA meeting of minds: the extraordinary artistic partnership of Michelangelo and Sebastiano /
_rMatthias Wivel --
_tAgostino Chigi: Sebastiano's first Roman patron /
_rCostanza Barbieri --
_tThe infancy, passion and resurrection of Christ in Michelangelo /
_rTimothy Verdon --
_tSacra Vigilia: an Augustinian interpretation of the Viterbo Pietà /
_rCostanza Barbieri --
_tA painting little less than eternal /
_rPiers Baker-Bates --
_tCatalogue.
_g1.
_tOrigins 1489-1511 ;
_g2.
_tTogether 1512-1524 ;
_g3.
_tApart 1525-1547 ;
_g4.
_tLetters.
520 8 _aThe first publication to consider the relationship between these two major artists of the High Renaissance. Through most of Michelangelo's working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485--1541). The two men met in Rome in 1511, shortly after Sebastiano's arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists' extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue. Matthias Wivel and other leading scholars investigate Michelangelo's profound influence on Sebastiano and the Venetian artist's highly original interpretation of his friend's formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist.
546 _aText in English.
650 0 _aArt, Renaissance
_zItaly
_vExhibitions.
650 0 _aArtistic collaboration
_zItaly
_vExhibitions.
655 7 _aExhibition catalogs.
_2fast
655 7 _aIllustrated works.
_2fast
655 7 _aExhibition catalogs.
_2gmgpc
655 7 _aExhibition catalogs.
_2lcgft
655 7 _aIllustrated works.
_2lcgft
700 1 _aJoannides, Paul,
_ewriter of supplementary textual content.
700 1 _aBarbieri, Costanza,
_ewriter of supplementary textual content.
700 1 _aVerdon, Timothy,
_ewriter of supplementary textual content.
700 1 _aBaker-Bates, Piers,
_ewriter of supplementary textual content.
700 1 _aDanesi Squarzina, Silvia,
_ewriter of supplementary textual content.
700 1 _aMoore Ede, Minna A.,
_ewriter of supplementary textual content.
700 1 _aSliwka, Jennifer,
_ewriter of supplementary textual content.
700 1 _aGoudie, Allison,
_ewriter of supplementary textual content.
910 _aASEEL
942 _2ddc
_n0
_cBK
999 _c27116
_d27116